Faculty of Engineering and Natural Sciences · Architecture · Undergraduate
Course Objective
The aim of the course is to examine the architectural movements, styles, and works that have emerged from the seventeenth century to the present within their historical contexts; to analyze their development and transformation; and to enable students to develop a critical perspective on architectural history.
Course Content
The course content covers the emergence, development, and transformation of architectural works from the seventeenth century to the present through selected examples. It aims to introduce, analyze, and discuss significant architectural movements, styles, practices, and works within this historical period. In this context, the course examines the Renaissance, Baroque, Eclecticism, Ottoman Eclecticism, First and Second National Architectural Movements, the Enlightenment, Romanticism, Historicism, Neoclassicism, and Art Nouveau, as well as the Industrial Revolution and its impact on architecture, the Bauhaus School, Modernism, Postmodernism, Deconstructivism, and contemporary approaches to architecture.
Required Resources
Leland M. Roth, Understanding Architecture: Its Elements, History, and Meaning
Recommended Resources
Francis D. K. Ching, Mark M. Jarzombek, and Vikramaditya Prakash, A Global History of Architecture
Doğan, H., 20th-Century Architecture in Turkey
Vanlı, Ş., 20th-Century Turkish Architecture
Müller, W. and Vogel, G., Atlas of Architecture
Explanations
- Midterm Examination: The date, time, and venue of the midterm examination will be announced by the Dean’s Office.
- Practical Exercises: Practical exercises will be carried out in accordance with the topics covered during the course. Submission deadlines for each exercise will be announced separately.
- Quizzes: Quizzes will be announced one week in advance, and the announcement will specify the course content to be covered.
- Final Submission: The final submission will consist of six practical applications completed throughout the semester. These applications must be integrated into the student's architectural design project developed within the concurrent Architectural Design Studio. For each application topic, students are required to prepare one A3 or B2 presentation board that explains both the theoretical framework of the application and its implementation within the architectural project. Final submissions must be submitted both digitally and in printed format.
- Final Assessment Policy: As the final assessment is based on a comprehensive project submission rather than a written examination, there is no make-up (resit) examination for this course.
Rules
Attendance: According to the University Regulations, students who fail to attend at least 70% of the total course hours will receive a grade of DZ (Absent) and will automatically fail the course.
Late Arrival: Students are expected not only to attend class but also to arrive on time. Please note that three late arrivals are considered equivalent to one full absence. A late arrival is defined as entering the classroom after attendance has been taken by the instructor and more than 10 minutes after the scheduled start of the class.
Seeking Assistance: Students are encouraged to ask questions during class or office hours and to seek assistance whenever necessary. Obtaining timely support is an important part of the learning process and is strongly recommended.
Academic Integrity: All coursework submitted for assessment must represent your own original work and effort. Acts of academic misconduct, including plagiarism and cheating, are subject to the University's Academic Integrity and Disciplinary Regulations and may result in disciplinary action and the corresponding sanctions.
Assessment Policy: The assessment methods and grading criteria specified in this syllabus are final. No additional assignments, examinations, or make-up assessments will be offered for the purpose of improving course grades.
Course Learning Outcomes
- 18. yüzyılda Aydınlanma çağı mimarlığı ve kent tasarımı yaklaşımları konusunda kuramsal düzeyde bilgilere sahip olur
- 19. yüzyıl mimarlığında endüstri devrimi ve endüstrileşmenin getirdiği kentsel ve mimari problemler ve yaklaşımlar konularında kuramsal düzeyde bilgilere sahip olur
- Ders kapsamında öğrenciye kazandırılan kuramsal bilgi ve becerileri eleştirel bir yaklaşımla değerlendirebilir
- Endüstrileşmenin mimarlık alanındaki etkileri sonucu 20. yüzyıl başında ortaya çıkan akımlar ve ortaya çıkan mimari örnekler konusunda kuramsal düzeyde bilgilere sahip olur
- Güncel mimarlık yaklaşımları, Post-Strüktüralizm, Dekonstrüktivizm, Minimalizm, Mimarlıkta Sürdürülebilirlik, Ekolojik Tasarımlar, uluslararası çağdaş mimarlık yaklaşımları konularında kuramsal düzeyde bilgilere sahip olur
Core Area Distribution
Teaching Methods
Assessment & Evaluation
ECTS / Workload
| Activity | Quantity | Duration (h) | Total Workload |
|---|---|---|---|
| Course Duration (Including Exam Week) | 15 | 2 | 30 |
| Out of Class Study Period | 14 | 2 | 28 |
| Midterm | 1 | 6 | 6 |
| Quiz | 0 | 0 | 0 |
| Assignment | 0 | 0 | 0 |
| Practice | 0 | 0 | 0 |
| Final | 1 | 8 | 8 |
Course Schedule
| Week | Subject | Preparation |
|---|---|---|
| 1 | Course Introduction: Renaissance Architecture, Mannerism, Michelangelo, Baroque Architecture, Bernini, and Borromini | |
| 2 | Eighteenth-Century Architecture: Architecture of the Enlightenment; Developments in European Palace Architecture; Palladian Architecture in England; New Approaches to Architecture in the Eighteenth Century; the French Revolution and Its Impact on European Architecture; Eighteenth-Century Approaches to Urban Design; and Classical English Urbanism | Bringing the Materials Required for the Course |
| 3 | The Industrial Revolution and Its Impact on Social Order; Developments in Transportation, Communication, Materials, and Production; Urban and Architectural Problems Resulting from Industrialization; Urban Planning Initiatives; the Haussmann Plan and Its Aftermath; New Building Types in the Nineteenth Century; Neoclassicism, Eclecticism, and Stylistic Pluralism; the Revival of Greek, Roman, Romanesque, and Gothic Styles; and the Integration of Classical Styles with New Materials: Henri Labrouste | Bringing the Materials Required for the Course |
| 4 | Early Experiments with Steel, Glass, and Reinforced Concrete; Joseph Paxton and the Crystal Palace; Modular and Prefabricated Building Production; the Need for Large-Span Spaces in London Railway Stations and the Search for New Architectural Solutions; World Industrial Exhibitions; Gustave Eiffel and the Eiffel Tower; Victorian Architecture; Auguste Perret and Reinforced Concrete | Bringing the Materials Required for the Course |
| 5 | The Arts and Crafts Movement; William Morris and Philip Webb; Viollet-le-Duc; the Influence of Japanese Architecture; the Glasgow School; Charles Rennie Mackintosh and Margaret Macdonald; Art Nouveau: Victor Horta and Henry van de Velde in Belgium, Hector Guimard and the Paris Métro Stations; Antoni Gaudí in Spain; and the French Art Deco Movement | Bringing the Materials Required for the Course |
| 6 | An Overview of the Seventeenth and Eighteenth Centuries in the Ottoman Empire | Bringing the Materials Required for the Course |
| 7 | Nineteenth-Century Architecture in the Ottoman Empire; Changes in Ottoman Architecture Following the Tanzimat Reforms; Architectural Needs Emerging in Parallel with Reforms in the Military, Industrial, and Educational Fields and Western-Inspired Solutions to These Needs; Palaces and Hotels | Bringing the Materials Required for the Course |
| 8 | Ara Sınav | Ara Sınav |
| 9 | The Vienna Secession and Wiener Werkstätte: Adolf Loos, Josef Hoffmann, Joseph Maria Olbrich, and Otto Wagner; the Chicago School; Functionalism and Structural Rationalism; the First Steel-Frame and High-Rise Buildings in the United States: Louis Sullivan; the 1892 Columbian Exposition in Chicago; New Architectural Movements Around the World; Eliel Saarinen in Finland; the Amsterdam School: Willem Dudok and H. P. Berlage; De Stijl: Piet Mondrian and Gerrit Rietveld; Italian Futurism: Antonio Sant’Elia; and Russian Constructivism | Bringing the Materials Required for the Course |
| 10 | Bauhaus: Walter Gropius and Adolf Meyer; Major Architects of Modern Architecture: Frank Lloyd Wright and Mies van der Rohe, Their Theories and Architectural Works | Bringing the Materials Required for the Course |
| 11 | The Evolution of Function, Form, and Meaning; Le Corbusier as a Pioneer of Modern Architecture and His Works; Brutalism; the International Style; the CIAM Congresses; the Development of Modernism in European and Non-European Countries; Giuseppe Terragni in Italy; Alvar Aalto in Finland; Oscar Niemeyer in Brazil; Louis Kahn; and Expressionist Architecture | Bringing the Materials Required for the Course |
| 12 | Architecture of the Republican Period – First National Architectural Movement: Mimar Kemalettin and Vedat Tek; Second National Architectural Movement: Sedad Hakkı Eldem, Emin Onat, and Turgut Cansever; Modern Architectural Experiments: Istanbul Metropolitan Municipality Building, Grand National Assembly of Turkey (TBMM), Istanbul Hilton Hotel, Istanbul Manifaturacılar Çarşısı (İMÇ), Ataköy Housing, Atatürk Marine Mansion, Atatürk Cultural Center (AKM), and Milli Reasürans Art Gallery | Bringing the Materials Required for the Course |
| 13 | Fascist Architecture: Berlin; Expressionist Examples: Saarinen and the Sydney Opera House; Functionalist Examples; Examples of Furniture Design; New Structural and Roofing Experiments: Shell Structures, Geodesic Domes, Membrane and Tensile Systems; High-Tech Architecture: Richard Rogers, Renzo Piano, and the Pompidou Centre; Critiques of Modernism; Postmodernism: Robert Venturi, Philip Johnson, Charles Moore, Michael Graves, Richard Meier, and Aldo Rossi; European Postmodernism; Post-Postmodern Architecture and an Introduction to Deconstructivism: Bernard Tschumi | Bringing the Materials Required for the Course |
| 14 | Critiques of Modernism; Postmodernism: Robert Venturi, Philip Johnson, Charles Moore, Michael Graves, Richard Meier, and Aldo Rossi; European Postmodernism; Post-Postmodern Architecture; Introduction to Deconstructivism: Bernard Tschumi | Bringing the Materials Required for the Course |
| 15 | Deconstructivism and New Architectural Approaches Influencing the World: Frank Gehry, Peter Eisenman, Coop Himmelb(l)au, Daniel Libeskind, UNStudio, Zaha Hadid, and MVRDV; Minimalism: Tadao Ando; Architecture and Engineering: Santiago Calatrava; Sustainable Approaches and Design Models | Bringing the Materials Required for the Course |
| 16 | Final Sınavı | Final Sınavı |


